![]() The information conveyed in this article was garnered from interviews and archival sources, during several periods of fieldwork in Scandinavia between 19. Both the musicians and their products reflect the obvious influence of popular music idioms, but the more significant factor is the degree to which each has contributed to the forging of a new, positive Saami ethnic identity. ![]() Sridaran Download morehoriz 4 Ayyappa Unne Naan 06:54 Singers: Veeramanidasan Lyricist: KV. Sridaran Download morehoriz 3 Oodi Vaa Ayyappa 05:51 Singers: Veeramanidasan Lyricist: KV. Sridaran Download morehoriz 2 Sangumani Pothanaai 07:36 Singers: Veeramanidasan Lyricist: KV. In this article, the activities of a selected group of Saami musicians and recordings from the latter half of the 20th century are examined within the socio-political context of their respective eras. 1 Aathimoola Gananatha 04:44 Singers: Veeramanidasan Lyricist: KV. Much of this music is clearly created for entertainment purposes, but there is compelling evidence that some of the most prominent Saami musicians have also consciously manipulated musical resources either to support or confront issues lying at the core of contemporary Saami culture. ![]() The results of these efforts range from simple rock'n'roll performed in Saami dialects, to complex, syncretic productions featuring Saami musical elements intermixed with instrumentation and concepts gleaned from other cultures. Beginning in the late 1950s and continuing into the present, Saami (formerly Lapp) musicians in Norway, Sweden and Finland have created a sizeable amount of popular music aimed primarily at Saami audiences.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |